Photography,Corporate/Industrial Photography,Art Photography,Commercial Photography,Public Relations ,Nature PhotographyBio
 
 
Img34.jpgA commercial photographer for more than twenty years, Lee Isaacs is just now coming to terms with his “place in art”. While an art student at the University of Alabama at Birmingham in the mid 70’s, he discovered photography quite by chance. “In those days, there weren’t enough resources to go around, so the beginning sculpture students had to reuse the same chunk of clay every week, for the entire semester. Because we weren’t firing our pieces, the teacher asked us to bring in cameras to record our work."  A friend loaned him a camera and got him started. It didn’t take long for Lee to become more interested in framing a picture in the view finder than in making the sculpture itself.  By the third week he found myself taking pictures for all the projects in the entire class.
 
He began to see things in a new way. Lee was hooked and had to learn more! At that time, UAB didn’t have a photography program. When he asked the chairman of the department about photography as an art form, he looked puzzled and replied, "Oh..., you mean Photojournalism.  That’s over in the English Department, they offer it in the Spring.”
 
Eventually, Lee Isaacs found a program in photography at UAB’s Special Studies, where he laid the foundation for his career. Over time, he's become experienced in both location and studio settings. His skills have served a number of industries, which include mining, manufacturing, architecture, banking, health care, communications, and publishing. Subjects range from food to product to portraiture, with extensive expertise in both color and b&w films; in 35mm, 120mm, 4x5 and 8x10 formats and in more recent times, digital capture and output. Special skills include extensive work with alternative processes (Polaroid dye-transfer, color laser image transfer, pinhole camera technique, and more). He has lectured many students from grade school to college age and has led a number of workshops in nature photography, studio and location lighting, as well as alternative processes.